# Controls: Grouping of continuous parameters now always relative # Controls: Added instance name editing dialogue to context menu # Toolbar: Settings dialogue updated # Option added: "Always render at highest quality" # New presets added # Many bugfixes 1.2.0 Update # Significant UI performance improvements # New "Band Solo" button # New settings dialog # Added support for custom snapmaps # Minor fixes and enhancements 1.1.0 update # Attack and release ranges increased # Added EQ auto gain switch # UI performance substantially improved # Fixed wrong "greyed out" states # Various inline help corrections # Manual updated # Fixed rare PT related race-conditions # Mouse handling improved 1.0.8 Maintenance update # Added product update lookup functionality (optional) # SOLO mode mouse handling fixes # Comboboxes can now be used like sliders # UI performance improved # Fixed a rare Window XP issue sometimes closing plugin host a fter a few hours # Fixed an "white UI" issue appearing in Renoise/mac/32bit # Minimal fixes 1.0.7 Maintenance update # Added new 72dB/oct HP filter mode for (HP and LP) # Added "Save As Default Preset" function. # UI: Significant UI performance improvements # Analyzer: precision increased, faster reaction # Analyzer: source selection moved above the blue analyzer/threshold scale # Dynamics: Added "Int SC (flat)" option to external sidechain menu to turn off Nova's internal 3dB/oct sidechain filters. The improved “Gentleman’s Edition” is available here.Ģ.1.6 Maintenance update # AAX Apple native Silicon support added 2.1.5 Maintenance update # AAX compatiblity fix # Fixed update lookup 2.1.4 Maintenance update # Added suppport for native Mac Silicon 2.1.3 Maintenance update # Fixed band selection/activation logic # Inline help layout updated # Fixed dropdown menus occasionally not opening on click # Fixed small graphical details 2.1.2 Maintenance update # VST3 format compatibility fixes # Logic 10.5 compatibility fixes # Added "Analyzer Speed" control # EQ display context menu extended # Small graphical improvements 2.1.1 Maintenance update # VST3 format compatibility fixes # MacOSX installer fixes # Settings: Added framerate control for primary UI elements (meters, analyzers) # User-manual moved online (pdf removed) 2.1.0 Update # Added VST3 support # Added Catalina support # Improved analyzer responsiveness # Fixed AU external sidechain in Reaper 2.0.2 Hotfix update # Fixed recall problems 2.0.1 Hotfix update # Fixed AAX version 1 to version 2 automation recall issues # Corrected several little UI bugs # Fixed filter instability on changing peaking/low-shelving filter type 2.0.0 Major Update # UI: resizable plugin-window, 3 different UI scales, "no display" mode. ![]() Of course NOVA features all helpers and workflow enhancements you’ve come to expect in a TDR plugin: A preset manager, undo/redo, A/B, detailed documentation, copy & paste, and much more. In practice, the processor covers a whole bucket of tasks: ![]() Intuitive equal loudness functions help finding the optimal setting without getting distracted by loudness differences. ![]() With its four dynamic EQ bands and additional high-pass and low-pass filter sections, NOVA can meet the most exotic demand. ![]() Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant answer.Ī user friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful processing capabilities. Appearing in the familiar layout of a parametric equalizer, each band also includes a full featured dynamics section allowing the processor to cover an impressively wide range of applications.
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![]() Marketing managers who seek a benchmark that captures differences in the scale and strength of brands’ distribution might weight each brand’s price in proportion to a numerical measure of distribution. Average price displayed: The display-weighted average price in the category One benchmark conceptually situated between average price paid and average price charged is the average price displayed. Large and small competitors are weighted equally when calculating average price charged. It also treats all competitors equally in the calculation of the benchmark price. It captures the way a brand’s price compares to prices set by its competitors, without regard to customers’ reactions to those prices. For this reason, this benchmark serves a slightly different purpose. As a consequence, the price premium calculated using this benchmark is not affected by changes in unit shares. This benchmark requires knowledge only of prices. A much simpler benchmark is the average price charged – the simple unweighted average price of the brands in the category. Average price charged: The simple (unweighted) average price in the category Calculation of the average price paid requires knowledge of the sales or shares of each competitor. If value share is greater than volume share, then there is a positive price premium. If value and volume market shares are equal, there is no premium. To calculate the price premium using the average price paid benchmark, managers can also divide a brand’s share of the market in value terms by its share in volume terms. ![]() This, in turn, will reduce the price differential between that brand and the market average. The reason: a market share gain by a premium-priced brand will cause the overall average price paid in its market to rise. Similarly, if a brand is priced at a premium, that premium will decline as it gains share. This would cause a firm’s price premium (calculated using the average price paid as a benchmark) to rise, even if its absolute price did not change. If a low-price brand steals shares from a higher-priced rival, the average price paid will decline. Changes in unit shares will affect the average price paid. The market Average Price Paid includes the brand under consideration. This average can be calculated in at least two ways: (1) as the ratio of total category revenue to total category unit sales, or (2) as the unit-share weighted average price in the category. Average price paid: The unit-sales weighted average price in the category Another useful benchmark is the average price that customers pay for brands in a given category. When assessing a brand’s price premium vis à vis multiple competitors, managers can use as their benchmark the average price of a selected group of those competitors. There are at least four commonly used benchmarks: The price of a specified competitor or competitors This is the simplest calculation of price premium and involves the comparison of a brand’s price to that of a specified direct competitor. Typically, the price of the brand in question will be included in this benchmark, and all prices in the benchmark will be for an equivalent volume of product (for example, price per liter). In calculating price premium, managers must first specify a benchmark price. Price premium (%) = / Benchmark price ($) Fully 63% of firms report the relative prices of their products to their boards, according to a recent survey conducted in the US, UK, Germany, Japan, and France. Indeed, price premium – also known as relative price – is a commonly used metric among marketers and senior managers. By comparing a brand's price with a market average, managers can gain valuable insight into its strength, especially if they view these findings in the context of volume and market share changes. Purpose Īlthough there are several useful benchmarks with which a manager can compare a brand's price, they all attempt to measure the 'average price' in the marketplace. In a survey of nearly 200 senior marketing managers, 54 percent responded that they found the "price premium" metric very useful. Changes in price premiums can also be signs of product shortages, excess inventories, or other changes in the relationships between supply and demand. ![]() Marketers need to monitor price premiums as early indicators of competitive pricing strategies. Price premium, or relative price, is the percentage by which a product's selling price exceeds (or falls short of) a benchmark price. Create a unique player, choose the appearance, name, position of the field, play style, and so on. 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![]() ![]() Project Preferences, which include detailed options for each item on the left: Screenshots:īelow, showing the various cue preference options: Mitti can also output syphon, blackmagic and NDI. Output finessing – Includes colour controls, video effects, audio channel routing and for multiple video displays – Mitti provides individual 4-corner warping for each, and edge blending between overlapping projectors. Multiple versions of Mitti on the same network can be easily synced. Remote Controllability + Sync – Hello MMC (Midi Machine Control), MSC (MIDI show control), hardware and software midi controllers, OSC + Art-Net ( DMX over ethernet). Nuanced control of fades, transitions – eg individual control per cue over fade in or outs, and over 30 ISF based video transition options ![]() Cues can be set to loop, and the playlist can be paused between cues, until ready to start the next cue. If you know what these Mitti capacities mean, you’re possibly the intended audience: external MTC (MIDI Timecode), LTC (Linear Timecode), SMPTE offsetting, Jam-Sync.Ĭues – You can create and trigger cues for videos, images, cameras (and native Blackmagic support), syphon and NDI sources – each with nuanced options, and easily add or adjust in/out points per clip. Timing – Exact timing control can be critical, and Mitti boasts low latency, a GPU playback engine, and can run from an SMPTE based internal clock, or slave to external hardware or software sources. ![]() (And for further depth – go to the control menu, choose Mitti, then Preferences, to see a very well organised array of options) The Interface – a strength would seem to be the efforts spent in making a very clear and intuitive interface for Mitti – it comes across as clean and easy to navigate, with extended options available where they might be expected. Running at it’s most minimal, with a playlist of clips, Mitti appears deceptively simple – but comes dense with custom controls at every level. And when getting simple playback exactly right becomes important, for events, theatre, installations etc – this is where Mitti seems to be aiming at, in the ballpark of apps like Playback Pro, QLAB or perhaps Millumin, where cues and critical timing are given more priority than visual effects. The flexibility of most VJ software is also one of it’s limitations – the strength of real-time effects and mixing, tending to make interfaces more obtuse than they need to be for users seeking simple playback. VJ software of course brings a flexibility and reliability to playback control – taking care of the basics such as fading to black, or looping upon finish of clip, cross-fading, or simply – avoiding the desktop suddenly appearing on the main projected screen. (By *Newest, I mean it’s been around since late 2016, but since then, Mitti has enjoyed a steady rate of notable additions and updates.)Īfter all the work that can go into video material for an event, playback control can sometimes be left as an afterthought – it’s not unknown to see videos being played back from video editing software and ‘live-scrubbed’, or to watch users flipping between their desktop and powerpoint / keynote / Quicktime etc. Software Adventure-Time! Newest* video kid on the block = Mitti, a “modern, feature-packed but easy-to-use pro video cue playback solution for events, theatre, audiovisual shows, performances and exhibitions,” – coming from the same stable that brought us Vezer (the timeline based midi/osc/dmx sequencer) and COGE (the versatile VJ software).
![]() Their legacy is one of cruelty, chaos, and cost-transference to the rest of society. Where in this whole cycle of abuse and unethical business practices is anyone who deserves the title of “responsible business owner?” These “business owners” are charlatans, their Conservation arguments hocus pocus, their carnival barking just a distraction. Opponents of this legislation cannot rely on Conservation arguments, because no reputable advocate for the species believes that excessive breeding of animals of unknown genetic background helps restore tigers or lions in their habitats thousands of miles away. So why not solve the problem on the front end and stop people from putting juvenile tigers and lions into this dangerous and cruel situation in the first place? ![]() This is an unfunded mandate on a small, non-profit business (that’s what rescue organizations are). They are too big to handle after that, and that’s why the operators must keep breeding tigers and lions to keep a fresh supply in the pipeline.Įach tiger or lion thrust into that world costs an animal welfare group as much as a million dollars over the course of the animal’s lifetime. Any one of them might trigger a Zanesville-like incident to recur at any one of the facilities with one or more captive carnivores and a deficit of proper protocols and sound housing.Īnd for what? So someone can pet a tiger cub for 10 minutes and the roadside zoo owner can pocket the fee for this form of exploitation?Ĭub petting as a business strategy lasts just a few months for each animal. Pick your cause for a dangerous-animals-at-large scenario: Tornado, derecho, troubled owner, vandal, disgruntled employee cutting a hole in a fence. Sheriffs’ deputies were ordered to shoot the animals for public safety purposes. Sheriffs and other first responders do not want to confront a 350-pound tiger when they rush in to stop a fire, attend to medical injuries, or interrupt a domestic dispute.Ī decade earlier, another emotionally troubled exotic animal owner in Zanesville, Ohio released 50 exotic animals, including grizzly bears, wolves, and big cats, into the community just before dusk. Mike Quigley, D-Ill., Brian Fitzpatrick, R-Pa., Mike Garcia, R-Calif., Raul Grijalva, D-Ariz., and 227 additional House cosponsors, seeks to stop the trade in big cats as pets, including breeding the animals for cub-petting opportunities by paying customers.Īnimal welfare groups and law enforcement agencies know all too well the fate of animals conscripted into this trade. House of Representatives should take note of those facts as it takes up the Big Cat Public Safety Act (BCPSA), H.R. Department of Justice for his own alleged animal violations. Indiana’s Tim Stark and South Carolina’s “Doc” Antle are now facing criminal charges for mistreatment of animals, while Joe’s business partner, Jeff Lowe, faces civil charges from the U.S. But what’s new is that Joe’s exotic-animal brethren, also featured in the series, may be close on his heels when it comes to trouble with the law. The series ended with Joe Maldonado – aka “Joe Exotic” – staring out at us from federal prison after convicted in a murder-for-hire scheme and a tiger-killing spree. ![]() ![]() But now, six months after Netflix released the episodes for binge-watching, there’s much that’s been clarified about the big-cat owners. In a nation driven indoors last spring by COVID-19, home-viewing of “Tiger King” became a rage. Select the memo you wish to open and it will begin to open. You should see a list of all memos created in reverse chronological order. Once installed, open the QuickMemo app and select the ‘My QuickMemo’ tab. 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The easiest and most direct method is to recover the memos from your Google account. If you need to retrieve deleted memos on an Android device, there are a few different methods you can try. How do I retrieve deleted memos on Android? Some OEMs also provide their users with cloud-based storage solutions for storing, managing and sharing QuickMemo files. On LG devices, QuickMemo files can be found in the “Memo” folder on the Internal Storage. Depending on the OEM, QuickMemo files are generally stored in the “Gallery” or “QuickMemo+” folder. QuickMemo files are stored in the Internal memory of the device. Overall, QuickMemo Plus is a great app that allows users to capture and share their experiences and memories with others easily. Lastly, QuickMemo Plus provides Cloud Service which allows you to keep your most important memos stored safely. ![]() Additionally, you can easily search for memos by using tags and labels. Furthermore, you can also easily share your memos with friends, family, and colleagues. The app also allows you to customize your memos by adding text, draw on them, add emojis, and edit images. With QuickMemo Plus, you can capture anything you want spanning from photos, videos, voice memos, and more. QuickMemo Plus is an app available on Android devices that allows users to quickly and easily capture ideas, experiences, and memories by taking notes and creating memos. ![]() Alternatively, you can also use a third-party app to uninstall QuickMemo quickly and efficiently. The app will be removed from your device and you will be done with the process. When you click on it, you will be presented with a list of apps installed on your device.įind QuickMemo in the list, click on it and then choose the option “Uninstall”. To uninstall QuickMemo from your device, you need to first open the Settings app and then scroll down to find the “Apps” option. Stay better focused on your work in Dark. 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